Rating:

18079580Reviewed by Colleen Turner

Cora, the Countess de Chevalier de Saint Leger Lawson, swore decades ago that she would never return to England, the land of her birth. Having left England behind as a child to accompany her aunt to Rome so they could start a new life, Cora has lived the glamorous, somewhat mysterious life of an expatriate traveling throughout Europe, dividing her time primarily between France and Italy: she has been the muse of artists; she has loved deeply and lost much; she has molded her own life into the story she wanted it to be. It is only when Cora’s last surviving relative, her grandson Jack, loses his mother in 1911 that she decides to finally go back to England. Having always kept her private life private, Cora hopes to finally tell Jack the true story of his family, something she has never told anyone and, now reaching the end of her life, has trouble at times remembering herself.

Upon her arrival in the small English village of Bramley, Cora soon finds that her reputation precedes her. The village gossips have written her life to be even more scintillating than the truth and enchant one young woman, Cecily Chadwick, into hoping to learn more about the many adventures of this fascinating woman. But Cora’s companion, Sylvia, a successful writer who has known Cora since her early days in Rome and who is quite possessive of Cora and her story, is quick to discourage Cora from interacting with Cecily and begins filling in the holes of what she already knows about Cora herself under the guise of writing Cora’s memoirs.

Cora has long lived secure within the various versions of her life floating about, most only hinting at the truth. But as the ghosts of her past continue to get closer the longer she lives in Bramley, as a sweet new love between Jack and Cecily begins before her eyes, reminding her of a love she had so long ago, as Sylvia’s insistent questions open up new pathways in Cora’s memories and as the walls she has put up within her mind begin to crumble with age, Cora will have to face the facts of her life – horrendous as some parts are – head on before it is too late to let that truth be known.

The Memory of Lost Senses is a compelling story dealing with the many ways our memory of events can be altered over time from what really happened and how we use these various mental safeguards to survive. As the story unfolds it becomes quite apparent that Cora’s history holds some devastating secrets and the tiny hints dropped about as Cora fights to keep her story from completely unraveling are delicious. Sylvia’s fabrication of the past, which she continually states is to protect Cora, shows how someone can consciously alter what they remember in order to protect themselves and justify their actions. The idea that our minds can also subconsciously hide traumatic memories from our conscious mind for survival is engrossing. This ends up not only being something Cora struggles with but Jack as well after he is involved in a horrible accident during WWI and ends up losing his memory of most of his past. I have long been fascinated with the coping mechanisms of the mind and The Memory of Lost Senses deals with so many of them.

The Memory of Lost Senses has so much to offer any reader. Combining what is discussed above with a look at history from the perspectives of a compelling, well traveled woman coming to the end of her life, a young, modern woman just beginning hers as the world around her continues to change and a young man thrust into war without fully realizing what that involves, it is a look at history unlike any other I have read before. Judith Kinghorn has become a writer I can’t get enough of.

Rating: ★★★★½ 

Colleen lives in Tampa, Florida with her husband, son, their dog Oliver and their fish Finn. When not working or taking care of her family she has her nose stuck in a book (and, let’s face it, often when she is working or taking care of her family as well). Nothing excites her more than discovering a new author to obsess over or a hidden jewel of a book to worship.

Review copy was provided free of any obligation by NAL. No monetary or any other form of compensation was received.