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Category: Reference

Review: Survival Mom by Lisa Bedford

[ 5 ] May 10, 2012

Reviewed by Jennifer Rasmussen

Survival Mom is a disaster preparedness book written by a mom with the intent to teach readers how to prepare for disasters ranging from mild (weekend snowstorm) to large (financial collapse).

I wanted to like this book. I really did. I like Lisa Bedford’s blog, I follow her on Facebook, watched her episode of Doomsday Preppers, and think she really knows her stuff. Unfortunately, I think the editing staff over at Harper may have gotten in the way of her putting out a tremendously successful book. Sadly, this survival book went the way of every other one on the market, and turned into an encyclopedia of knowledge. Granted, it’s really helpful knowledge, but there’s not a single photo, the margins are crammed to overflowing with tips and bullets and lists, and it’s just hard to sit down and digest.

The information is very worthwhile and Lisa did a stupendous job of drilling down to the details of what every home needs to have on hand in the event of a disaster, how to get started on food storage, and other necessary basics. If she’d have been able to present it in an easy-to-read format, I could have easily given it 5 stars. As it is, I’m forced to give it a 3 because of its encyclopedia-like nature.

I do think that Survival Mom would be a great resource for an established prepper to keep on the shelf, but will be far too overwhelming for a beginner.

Rating: ★★★☆☆ 

Jen Greyson writes supernatural thrillers and corporate training guides and tries not to mix the two. You can find her free ebook, How to Build a Writing Platform that Works: The New Path to Publishing, at her website, http://TheSurvivalMama.com.

Review copy was provided free of any obligation by HarperOne. No monetary or any other form of compensation was received.

Review: How to Listen to Great Music by Robert Greenberg

[ 2 ] May 4, 2012

Reviewed by Caitlin Busch

Before beginning this book, the reader should know it is part of a continuing education series, perfect for the avid and/or adult student or hobbyist musician. But no one should assume it’s a dry old textbook! I found it to be quite the opposite: How to Listen to Great Music reminded me of my university days. While reading, I re-experienced, with sweet nostalgia, “listening” to an engaging lecture by beloved professor on a favorite subject. Now, I didn’t actually study music at university, but I have a background in piano, violin and orchestra which may make me more prone to enjoying this text than those with non-musical backgrounds – or at least those who aren’t interested in composed (a.k.a. “classical”) music.

Even with my musical background, How to Listen to Great Music is a bit of a beast, due to the amount of material covered in about 300 pages. It is a very complete history of Western music from 1600 – 1900 (the common practice, or what we call “classical” music), bookended by brief exposés on ancient and twentieth century music, and interspersed with lessons in musical syntax, trends, trivia and charts of specific compositions. Greenberg’s major point is the importance of the relationship between the development of Western music and Western society to contemporary listeners. Hearing the music in the right historical, national, and theological context is not only edifying – it makes a difference when attending performances! 

Vocabulary is presented clearly and a glossary is included for quick reference. This book also includes a separate index of compositions, organized alphabetically by composer. At first, I wished the selections were organized by period, but then I wouldn’t have been able to learn to identify them by listening for the technical and stylistic indications discussed by Greenberg.

Greenberg’s voice is charming and his asides are well-timed. He reviews important information just as the reader may start to feel overwhelmed – much as any good professor would. The material never goes dry (a risk with such an academic topic) because of the relatively quick interchange between lessons in music history and musical syntax. Greenberg himself obviously enjoys what he does and demonstrates so throughout the book – even by using humorous chapter titles and making puns on them in the text.

Anyone with an interest in composed (“classical”) music will enjoy How to Listen to Great Music. I do not believe readers with a deeper background than mine in composed music would find this text condescending. Those who make music as a hobby or attend performances regularly will certainly find pleasure in this read – whether they’re already familiar with the material or not. It is a truly thrilling review of the common practice – what we commonly call “classical” music – which includes enough music theory to bring new depth to the listening experience. Highly recommended for readers new to composed music or anyone looking for a refresher course on Western music history!

Rating: ★★★★★ 

Caitlin is a fiction writer who also dabbles in poetry, creative nonfiction and acrylic painting. When not reading, she enjoys hiking, cooking and spending time with friends and pets. She earned her B.A. in English from the University of Portland and currently resides in Louisiana.

Review copy was provided free of any obligation by FSB Media. No monetary or any other form of compensation was received.

Review: Developing Your Presentation Skills by Theo Theobald

[ 1 ] April 4, 2012

Reviewed by Poppy Johnson

Everyone will need to make a presentation at some time in their lives. Whether it is a formal business speech or an informal toast at a friend’s wedding, knowing how to make a speech is a valuable skill to have in any situation.

Develop Your Presentation Skills by Theo Theobald is part of the Creating Success series. The chapters cover the development of topics, the use of humor and tools like PowerPoint, as well as offering templates and content for a speech, and tips for managing your nervousness and the audience (including question and answer sessions, and when those question should be allowed to be asked). There are helpful activities for the reader to try, and summaries of what to do for each stage of developing a presentation. These tips apply to most formal professional presentations made in the context of a work scenario, but the strategies would also apply to any situation where speaking in public is required.

In the chapter on finding your inner voice, Theobald focuses on a research study (the Mehrabian study) which showed that over half of the speaker’s ability to impact an audience is derived from her non-verbal cues or body language. This means that your voice as well as your action needs to portray a confident spirit. How do people become confident when required to speak in public? Pre-recording your voice and making preparations ahead of time are the two obvious stand-bys to answer the confidence question. In that respect, much of the advice given in the book is standard fare for anyone interested in finding out how to speak in public or prepare the next speech.

Rating: ★★★★★ 

After a decade of working in several NYC law departments and teaching, Poppy decided she enjoyed writing full-time. She currently works as a freelance writing consultant, and lives with her husband and sons on the East Coast.

Review copy was provided free of any obligation by Kogan Page. No monetary or any other form of compensation was received.

Review: Social Q’s by Philip Galanes

[ 3 ] March 22, 2012

Reviewed by Sara Drake

Social Q’s: How to Survive the Quirks, Quandaries and Quagmires of Today offers insight into polite ways of dealing with difficult situations. Philip Galanes writes an advice column for the New York Times, “Social Qs,” as well as appearing regularly on the Today Show. This book grew out of his advice columns, based on the most common questions his readers sent him.

He addresses social etiquette questions that arise from our modern world. Have you ever wondered if you should tell someone about their really bad BO? Have you ever wanted ideas on how to handle a difficult boss? Do you spend the holiday season confused by how to handle the social obligations? This book has the answers and much more. Galanes offers his advice with a mixture of humor and pragmatism, making this book an enjoyable read.

As someone who frequently finds myself baffled in social situations, I looked forward to reading Social Q’s. I had high expectations of finding some common sense advice on how to navigate my way though awkward situations more gracefully. This book did not disappoint. I have even found occasions to put the book’s advice into practice since I read it, which is the highest praise I can offer an advice book.

I enjoyed the quirky sense of fun that permeates Social Q’s, making it a delight to turn each page. I eagerly read on to discover the next situation, the next snafu, and the next bit of wisdom. I loved that the author presented “rules” with each set of situations providing a guide to handling similar situations, as I tend to think logically and prefer clear rules to fuzzy judgment calls. In fact, I took pleasure in this book from cover to cover, I rare event for me.

Rating: ★★★★★ 

Check out Philip Galanes’ website to learn more

Sara Drake has been an avid reader since a young age. She has both a Master’s in Mental Health Counseling and a Master’s in History.

Review copy was provided free of any obligation by Simon & Schuster. No monetary or any other form of compensation was received.

Review: Baby Medbasics by Luke & Tara Hermann

[ 4 ] September 27, 2011

Reviewed by Alyssa Katanic

Baby Medbasics, by Luke Hermann, M.D. and Tara Summers Hermann, R.N., B.S.N., is a compact reference book that gives “Emergency Action Steps” in an easy to use format. It is 5”x6.5”, spiral bound, with a hardcover, making it portable (i.e. diaper bag worthy) and easy to handle. The subject tabs, great color and graphic design makes it easy to navigate quickly, and it gives clear instruction on what to do and when in cases of an emergency – including when to seek medical attention. Not only do the Hermanns give steps to handle emergencies, but they also list preventatives steps, as well, in such areas as allergies, bites & stings, fever, rash, and so on.

Baby Medbasics would make a great baby shower gift, as well as a great guide for babysitters and other caregivers. There is a page for recording family and emergency contact numbers in the front, and a list of international Emergency numbers for those who travel inside the back cover.

I suggest giving it a read over, so that you are familiar with the content, and then keeping it on hand for review in case of emergencies. It is concise and can be read in less than an hour. Either way, it is easy to follow, much like a 911 operator in book format.

Rating: 4/5

Alyssa is a wife and stay at home, homeschooling mother of five, with two boxers, two cats, a soft shelled turtle named after Bob the Builder, and 7 frogs (admittedly a homeschooling project gone froggy). In all her spare time, she loves to read and believes that there is no such thing as having too many books!

Review copy was provided free of any obligation by FSB Associates. No monetary or any other form of compensation was received.

Review: The Literary Ladies Guide to the Writing Life by Nava Atlas

[ 10 ] August 7, 2011

Reviewed by Alyssa Katanic

Do you, or someone you know, love to write, but find yourself discouraged and overwhelmed by the busyness of daily life and frustrated by not knowing how to start or which step to take next? Would you be comforted to know that Jane Austen, Charlotte Bronte, Harriet Beecher Stowe, and many others faced many of the same obstacles that you do? Would you like to know how such female literary giants dealt with obstacles to their writing life?

The Literary Ladies’ Guide to the Writing Life by Nava Atlas brings together twelve such giants and pulls from their journals, letters, and articles pieces that showcase how they handled writing challenges and what advice they had for other young or aspiring writers in the areas of “Becoming a Writer”, “Developing a Voice”, “Conquering Inner Demons”, “The Writing Mother”, “Rejection and Acceptance”, and “Money Matters” among others.

The Literary Ladies’ Guide is beautifully designed and thoughtfully written. Despite being a “guide”, The Literary Ladies’ Guide is anything but text-bookish. The well-chosen quotes and excerpts from twelve well-known women writers work together to make this volume a very personal collection of inspiration, encouragement and advice while giving us a peek into their every day lives. Its artistic design also lends to the personal feel of the book. The photos and artwork throughout would make for a wonderful gift book or coffee table book for anyone interested in writing or for those who simply enjoy the classic books put forth by the twelve ladies who are spotlighted: Louisa May Alcott, Jane Austen, Charlotte Bronte, Willa Cather, Edna Ferber, Madeline L’Engle, L.M. Montgomery, Anais Nin, George Sand, Harriet Beecher Stowe, Edith Wharton, and Virginia Woolf.

Atlas has given us a moment of standing on the shoulders of those who came before us and shows us that we are not as alone in our obstacles as we may feel. We are encouraged to take a look at these ladies and recognize the doors that they helped in opening for the women writers who would come after them and to realize that, though they were truly blessed writers, our beloved authors still had to work hard and still faced rejection and criticism time and again, as every writer will.

The Literary Ladies’ Guide will serve as a beautiful encourager to every writer. Enjoy!

Rating: 5/5

Alyssa is a wife and stay at home, homeschooling mother of five, with two boxers, two cats, a soft shelled turtle named after Bob the Builder, and 7 frogs (admittedly a homeschooling project gone froggy). In all her spare time, she loves to read and believes that there is no such thing as having too many books!

Review copy was provided free of any obligation by Sellers Publishing. No monetary or any other form of compensation was received.

Review: Romanticism and Postromanticism by Claudia Moscovici

[ 5 ] July 22, 2011

Reviewed by Nina Longfield

In her book, Romanticism and Postromanticism, Claudia Moscovici brings new insights into the history of the Romantic-era, comparing artists and writers from across the spectrum of Romanticism. This is an enlightening and complex read for anyone interested in the Romanticism-era, late eighteenth and early nineteenth century history, or artistic and philosophic movements in general.

Moscovici attempts to define Romanticism by delving into the philosophical interpretations of the era. The ever-present theme throughout Romanticism and Postromanticism seems to be an investigation of “emotion and its role in artistic creation” as a means to understand what it is to be human. Although Moscovici’s focus is primarily on the French Romantics (Rousseau, Stael and Baudelaire), her investigation encompasses the Romantic movements of Germany (Goethe) and England (Wordsworth) as well. Moscovici brings together the thoughts of varying artists to develop a whole picture of a movement that suggested artists and poets should “throw over them [ordinary people] a certain coloring of imagination, whereby ordinary things should be presented to the mind in an unusual way” (Wordsworth) thus allowing us, the viewer and reader, to see and think in a broader and possibly bolder perspective.

Romanticism and Postromanticism by Claudia Moscovici cannot be called a light read. Parts of it, especially the introduction, read like a graduate thesis. However, Moscovici brings forth many interesting insights, both new and rehashed, into the meanings of Romanticism. It was rather surprising that Moscovici chose to leave out some of the more famous Romantic artists and writers, but her well chosen analysis still seemed to encompass an era of deep creativity and substance.

Most insightful, were Moscovici’s thoughts on Romanticism’s survival and continuance into our modern era. Postromanticism continues to flaunt, in subtle ways, the ideas first laid bare over two hundred years ago by its Romantic predecessor. Although a bit comprehensive for a casual read, any reader interested in an in-depth rumination on Romanticism will find Claudia Moscovici’s work thought provoking and informative.

Rating: 3.5/5

Nina Longfield is a writer living in Oregon’s fertile wine country. When she is not reading or writing in her spare time, Nina enjoys hiking in the hills surrounding her cabin.

The review copy of this book was provided free of any obligation by LibraryThing. No monetary or any other form of compensation was received.

Review: How To Make Real Money Selling Books by Brian Jud

[ 4 ] June 10, 2011

Reviewed by Leigh Adamkiewicz

I met one of my favorite English teachers during my freshman year. He was a dashing young man, with a delightfully twisted sense of humor – and an absolute disinterest in keeping the noise down in his classroom. Only one thing kept the class from becoming a free-for-all. Our textbook. Each entry level English class had to study from the same painfully comprehensive textbook. To ignore it meant you would fail the class. But to read a couple chapters in a row would leave you a drooling wreck. The subject matter was so incredably dense I heard of students dropping classes because they didn’t want to have to deal with it.

But my teacher had a solution. Trashy reality TV. No, really. He recommended watching our favorite trashy, brainless reality TV show and reading as much of the assigned chapter as we could during each commercial breaks. One would act as a palate cleanser for another, and using them both together we could actually comprehend the info that would aid us the rest of our academic careers.

There are some who say college is an expensive babysitting service and that the students don’t retain the lessons they learn there in the long term. But I would have never gotten through the introduction of How to Make Real Money Selling Books without using that advice.

Non-fiction writing is, by definition, usually dry and precise. Especially when it is instructional. And the author, Brian Jud, is not a writer by trade. Which is why the first few pages of this book are as dry as a saltine cracker. When regular readers pick up this kind of a guide, they usually skip such parts. Those of us doing reviews for the books are not so lucky.

However, thankfully, How to Make Real Money Selling Books doesn’t stay dry and tasteless for long. Once you struggle past that dry outer layer of business lingo (I actually cringed at the use of the word ‘paradigm’), you quickly realize you are in a remarkably complex guide that is invaluable to any writer.

Jud knows about literary marketing. He has decades of experience under his belt and leads a consulting firm that exclusively deals with marketing books. And he uses all those years of experience to show you how to sell your book in ways you may have never thought of before.

And that doesn’t mean he gives you the new tried-and-true method to find an agent and assume everything will be OK. There’s no ‘one day boys and girls, your publishing house will come and you’ll all live happily ever after’ fairy tale here. And it’s not just a list of some basic tips to help you build a professional website or throw together a business plan.

This book is a staggering in-depth analysis of all the smaller markets, submarkets, and untapped niches that often go overlooked. It will show you how to work a reading tour, stock a booth at a convention, and wheel and deal in any negotiation. It will show you how to test market before you attempt a riskier investment choice and how to determine which one of your risks will pay off before you put serious captial into them.

And the resources. The resources! The twenty page resource guide alone is a fantastic source of leads, hints, and inspiration. I can’t even count the number of times I said, “Wow!” or “That’s IT!” or “why don’t more people try that?” while reading this book. The further I went into this book the more I kept asking why weren’t more people talking about it. Even if the prose was dry, the sheer bulk of useful and inspiring knowledge in this book is simply overwhelming.

If you are dreaming about publishing a novel – or lying in the aftermath of a bad publishing experience – this should be required reading. Hell, they should have it on book lists for English majors from their sophomore years forward. The dry nature of the text can put some people off, but instructions to a rocket ship aren’t supposed to be a page-turner. Check out the table of contents, find the chapter that deals with the questions you’ve been asking yourself and start from there. You’ll be astonished, grateful, and ready to recommend this book to a friend by the time you’re done.

Rating: 4/5

Leigh is a fearless writer who never met a genre, subject, or format she didn’t like. She has written professionally for the past six years and enjoys biking, exploring odd corners of Northeast Ohio, and discovering those good books she hasn’t read yet.

Review copy was provided free of any obligation by Square One Publishers. No monetary or any other form of compensation was received.

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